Miranda Fan



Feature: Lin-Manuel Miranda’s Most Revolutionary Role Yet on the WSJ.

[ Written on June 22 2020 by Francesca ]

Lin-Manuel Miranda graces the cover of the WSJ. with a long feature in which he talks about his life during the COVID-19 pandemic and the Hamilton movie.

He and Nadal took turns supervising both Sebastian’s Zoom schooling (“Neither of us is quick to be a kindergarten teacher,” he says) and the care of their younger boy, 2-year-old Francisco. Isolated from their families and work colleagues, the Miranda-Nadals maintained their sanity by holding a weekly Thursday-night video cocktail hour with fellow alumni of Hunter College High School, which they both attended in the 1990s. At bedtime, Miranda settled in with Stephen Greenblatt’s book Will in the World: How Shakespeare Became Shakespeare, paying particular attention to the passages pertaining to the outbreaks of bubonic plague that regularly befell London and Stratford-upon-Avon in the early 17th century.

“I didn’t read it because I wanted to know more about Shakespeare,” he says of Greenblatt’s book. “I read it as a how-to manual, how to cope when your calling and your livelihood routinely closes down.”

What he has learned, Miranda says, is that the only thing he can count on is uncertainty: “I have to just give up the idea that I know what’s going to happen on the other side of this. I don’t know what the other side looks like. I don’t know what a second wave looks like in the fall. I don’t know what this country looks like after Election Day. I hope it looks different. I have to give up wrestling with that and wrestle with what I can answer.”

Read the whole feature under the cut.

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Coverage: Lin-Manuel Miranda presents “Siempre, Luis” at 2020 Sundance Film Festival

[ Written on January 26 2020 by Francesca ]

On January, 25 Lin-Manuel Miranda was in Park City, Utah, to present the documentary Siempre, Luis dedicated to his father Luis Miranda at the Sundance Film Festival. The two Mirandas an the director John James made the round of the many studios setted by the media outlet to give interviews and promote the movie.

Check in our Gallery all the photos in HQ. [Edit: Added more photos and video under the cut.]

Movie Projects > 2020 – Siempre, LuisPromo
Public Appearances > 202025 January – Vulture Spot Presented By Amazon Fire TV 2020
Public Appearances > 202025 January – IMDb Studio At Acura Festival Village
Public Appearances > 202025 January – WarnerMedia Lodge Elevating Storytelling With AT&T
Public Appearances > 202025 January – Music Lodge During 2020 Sundance Film Festival
Public Appearances > 202025 January – Variety Sundance Studio
Public Appearances > 202025 January – 2020 Sundance Film Festival – “Siempre Luis” Premiere
Public Appearances > 202025 January – 2020 Sundance Film Festival – “Siempre Luis” Premiere – After Party
Photo Sessions > 2020Session 001
Photo Sessions > 2020Session 002
Photo Sessions > 2020Session 003
Photo Sessions > 2020Session 004
Photo Sessions > 2020Session 005
Photo Sessions > 2020Session 006
Photo Sessions > 2020Session 007


Under the cut there are two interviews video and an article. Check them out. [EDIT: Added two three more videos.] continue reading

Photos: Photo Sessions of His Dark Materials TCA Summer press tour

[ Written on January 23 2020 by Francesca ]

We were able to track down more photos from the portrait sessions of the His Dark Materials TCA Summer press tour. Check them all in our Gallery!

Photo Sessions > 2019Session 010
Photo Sessions > 2019Session 011
Photo Sessions > 2019Session 013
Photo Sessions > 2019Session 019


Feature: Lin-Manuel Miranda on Times Magazine for His Dark Materials

[ Written on October 19 2019 by Francesca ]

On Saturday October, 19 Lin-Manuel Miranda graced the cover of Times Magazine with a long interview where he touches many topics, from the upcoming TV show His Dark Materials to how he takes care of his mental health.

In our Gallery you can see a new promo picture from His Dark Materials and a new portrat, while below you can read some highlights from the article.

Television Projects > His Dark Materials (2019)Promo Photo Sessions > Session 018Session 018

He claims to be totally exhausted, in the middle of a busy day promoting His Dark Materials (set in a parallel universe in which our young heroine, Lyra, leaves Oxford in search of a lost friend; Miranda plays the character of Lee Scoresby, an aeronaut who flies a balloon), adding that he has barely slept. (“It was musical beds. I went to bed with my wife. At 1am the baby started crying and she went to his room and then never came back, and around 2am my other son crawled in and slept perpendicular to me, his feet in my face.”) But he is nevertheless one of the bounciest people I have ever met.

He cheerfully insists he loves the Pullman trilogy of books, which have sold more than 22 million copies globally (“I fell in love with them in my mid-twenties. When I started dating my wife, they were one of the series we read together, and I was really thrilled to be asked to be a part of it”) and says he “adores” working with puppeteers (everyone in Lyra’s world is permanently accompanied by an animal daemon that is an external manifestation of their inner self, and the actors performed opposite these daemons in puppet form). Working on Sesame Street – a “thrill” – was good preparation for the task (“The best part of that gig is the first time you do it, you get a PDF file which is the vocal ranges of the Muppets, and that’s a cool PDF to have”), he likes being in Cardiff, where it is being filmed (“Listen, I have a four-year-old little boy who is super-into knights and dragons, so the fact that I’m in a place where there’s a castle every exit on the motorway is pretty great”) and is treasuring the opportunity to travel with his family (“We knew there was a cap on our time to travel because my son starts kindergarten in the fall … Then I’ll be home”). And yes, Cardiff does count as thrilling travel. “The only people who are snobby about Cardiff are Londoners! You know what I love? I love hanging around the mall! I grew up in the city, so malls are still kind of a novelty to me.”

“We got our first car last summer: it’s a wagon that fits two child car seats.” And I read he still lives in the Washington Heights/Inwood neighbourhood in Upper Manhattan that he grew up in? “Yeah, I live 20 blocks from where I grew up, and all four grandparents are walking distance from my kids – that’s the best thing.” Before we get carried away about his humble ways, I should say there are two PRs listening in to our conversation from a table behind us, and when I refer to a claim that he still flies commercial, it turns out the experience of starring in the recent Mary Poppins Returns has left him not unaccustomed to the occasional private jet. “I fly commercial most of the time.” A coy glance. “If it’s Disney and they want you to be back at a certain time, and you are doing press for them, you serve the pleasure of the Walt Disney Company.”

I refuse to believe he hasn’t splashed out more. “When does this come out? It is my wife’s birthday in two weeks, and my wife’s favourite book is Moby-Dick. I went to a rare books place this morning and bought a first-edition complete Melville, and I will not tell her how much I spent on it. It was expensive: it was not as much as a car, but it was expensive. It’s funny – I’ve met other composers who have hits, and they all have the eccentricity that wealth has allowed them to have. You know, Andrew Lloyd Webber famously has art falling off his walls, and he has a couple of theatres – I’m never going to buy a theatre! You go to Stephen Sondheim’s house: he’s got puzzles; he’s a puzzle guy. Alan Menken, composer of The Little Mermaid, has a tortorium [turtle house]. I’m in the market for an eccentricity.”

It turns out that he went into therapy to help deal with the change. “I’ve been in therapy intensively twice in my life; I’m probably due for a third. The first time was after sophomore year [the second year] in college, breaking up with my first serious girlfriend. We’d been together for four and a half years. It was like a summer of therapy and it was great. The other time I did it, the other summer of therapy, was in the transition between off-Broadway and Broadway for In the Heights, and it was sort of beginning to deal with success, and my relationship with my girlfriend, now wife, was getting serious, so I just had a ton of shit that I needed to sort out on the table.”

He says he doesn’t get recognised that often, and characteristically doesn’t mind when he is (“People are 99 per cent of the time cool”), but I realise at this point that the two business executives on the table next to us have given up analysing spreadsheets on their laptops in favour of eavesdropping on this increasingly intimate conversation. He said he might be due another round of therapy? “Sure. My life’s changed a lot, I’m juggling a lot and I’m trying to be the best parent I can and the best husband I can. That balance is always hard. I could probably use a couple of sessions to work all that shit out. I could probably do with another summer.”

Read the whole feature under the cut.

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Feature: Lin-Manuel Miranda on Departures

[ Written on September 01 2019 by Francesca ]

Lin-Manuel Miranda is on the cover of Departures, on the September issue dedicated to the 30th annyversary of the magazine.

Check the cover and the photoshoot in our Gallery and read the interview below.

Lin-Manuel Miranda seems to be perpetually in motion. To wit, on a Monday afternoon in late May, I found him taking a short break from rehearsals for the film version of his first musical, In the Heights, which was shooting on location in Manhattan. He was also celebrating the finale of the FX miniseries he executive-produced, Fosse/Verdon, and prepping for a Broadway run this fall of Freestyle Love Supreme, the improv hip-hop collective he’s been a part of since 2004. And then there’s the movie musical he’s planning to direct, an adaptation of Jonathan Larson’s Tick, Tick…Boom!, and Vivo, the animated film he’s collaborating on with his In the Heights cowriter, Quiara Alegría Hudes.
But we were sitting down mostly to talk about his activism and philanthropy. Among the causes for which he has put his charisma and celebrity to work: Puerto Rico’s efforts to recover from Hurricane Maria, for which he has raised, with the help of American Express, more than $43 million for Hispanic Federation UNIDOS in addition to more than $14 million for Flamboyan Arts Fund.
March for Our Lives, the group against gun violence started by survivors of the Parkland massacre, and voter registration. Here’s how he explains his role as an entertainer and awareness-raiser.

QUESTION: To put it mildly, you have a lot on your plate. How do you keep your public roles as artist and activist in some kind of balance?

LIN-MANUEL MIRANDA: Balance is the thing you think about all the time. And that includes being a good dad, and taking my kid to school, and having time to sleep. I mean, I feel like we’re all balancing those things all the time. Like how do we get the time for the thing we really are passionate about doing, and balance that with things you have to do? How do you log the time with your family so that everyone’s good and in touch? And then there are the things that I feel like would fall under the category of “activism.” It comes from the same feeling as a creative impulse. It’s the thing that doesn’t leave you alone. That question of, Can I be of service here?

Q:What’s on your mind right now, aside from the ongoing issues you’re involved with?

LMM: The 2020 election is on my mind. I don’t have a candidate picked out yet. I think that will sort itself out, but voter registration is something that I’ve leaned into, even before anyone knew who I was. I think particularly when our issues are on the table as they are, for Latinx people, whether it’s immigration, whether it’s Puerto Rico, we have to come out and vote and be heard.

Q: Do you see yourself endorsing or full-throatedly campaigning for a candidate?

LMM: Yeah, probably. Someone who is criticizing me would say, “You’re an actor, you’re a writer—who cares?” Well, yeah, but I would have endorsed someone and I would have worked on their behalf before I had written Hamilton. So I’m just doing the stuff I would have done anyway. But when people say “stick to writing,” or “stick to acting,” or whatever it is they want you to stick to because it agrees with their thing—I would love to! I would love nothing more than to curl up in a ball and just write things, but our work exists in the world and our work exists in conversation with the world. So, we have to talk about the world as we see it.

Q: How much did your childhood affect your approach to activism, growing up with a father, Luis A. Miranda Jr., who worked in New York City government and is now a political consultant?

LMM: My dad, in many ways, functions as my Jiminy Cricket in terms of when I can be helpful in causes that are bigger than entertainment. I mean, we grew up in a political household. I remember registering people to vote when I was a kid. I would get sent to the Dyckman projects on 10th Avenue and go from one building to the next, from the top all the way down, with the green forms.

Q: What’s it like returning to In the Heights? Are you updating the script?

LMM: I mean, there are things that were implicit then that are explicit now, like the way this wave of Latinx immigrants has to fight for their personhood. In this world, we are more demonized than we have ever been. This notion of, “We came from somewhere else and we’re trying to make the best of our lives here. We are just like you”—this, somehow, is a radical statement in 2019. It shouldn’t be. It didn’t feel that radical in 2008 [when In the Heights opened on Broadway], but it actually is, because there are so many who would say, “You don’t belong here. This country’s full.” To see these characters joyously waving the flags of their home countries in New York City, it’s crazy that that’s a radical act. But it’s wonderful to put that on screen.

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